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Showing posts from March, 2007

I am become Klimt!

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When Robert Oppenheimer witnessed the first nuclear explosion, a project which he personally managed, he apparently said, "I am become Death, the destoyer of worlds".

When I first tried out this photoshop filter, I said, along the same lines, "I am become Klimt". I didn't say it out loud, just like Oppenheimer, I suppose, didn't declare out loud that he'd become Death.


plain mosaic squares overlayed 50%

A mosiac filter is part of almost every graphics program. Sometimes it's called "pixilate" or something like that, since a mosaic is essentially the rendering of an image in larger, simpler pieces (ie. lower resolution) resembling pixel blocks.

It's probably an easy thing to program, like blur or sharpen. But this particular mosaic creates a variety of effects derived from that simple idea of the mosaic. Instead of just a square, you can have a box with a little square inside. The box and the square are different colors, based on the u…

Little Images

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There are the few that are Great, and there are the many that are Little.

The Great are classics, or well on their way. Everyone knows them. They have a following. They have names. They get stolen.



The Little are sparks. Bright, in a tiny way. A glowing grain of sand.

The Great grow from thumbnails. The Little are a thumbnail.



A frame is the fortress of The Great, and the gallery it's royal domain. The legs of The Little are trapped by the frame, and die in captivity.

To be printed, purchased and analyzed, is the way of The Great. To be seen and not deleted, is the apex of The Little.

Tim Hodkinson

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The Persistence of Sierpinski

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The smaller you look, the larger you see.

There are two modes I apply when working with fractals or graphic software in general. One is to keep a close eye on what does what, and when I find a good combination of effects, write down the sequence like a script: scripting mode. In fact, in the graphics programs the GIMP, and probably Photoshop too, there are scripting capabilities that create new, composite filters from the combination of individual ones.



The other mode is to idly add effects and just click on things and see what happens: improvise mode. This tends to produce things that are usually unreproducible because you can't quite remember what you did and what you undid and what you did after the undid. Doing this for a while is a great way to collect experience that will later allow you to build "scripts". I often move into improvise mode after a lot of careful scripting goes nowhere.



And then I often go into scripting mode after a lot of senseless and semi-ra…